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THE ULTIMATE BOOK ON HARNESSING THE POWER OF AVID MEDIA COMPOSER. Filled with hundreds of techniques and profusely illustrated in color, it will help you discover new ways to use the system and do things you didn't know were possible. For advanced editors, it contains in-depth, easy-to-read material on critical subjects that are often glossed over; for those just getting started, it offers clear, well-illustrated explanations of basic concepts. Written by one of the pioneers of the digital editing revolution, this second edition focuses on Media Composer 5.5.
SUBJECTS COVERED INCLUDE: Interface Fundamentals; Advanced Editing & Trimming; The Smart Tool; Find & PhraseFind; Visual Effects & Advanced Keyframes; Color Correction; Titles; Mixing, RTAS & Stereo Audio; Multi-camera Editing; Toolsets & Workspaces; AMA & Media Management; Film & 24p Video; and much more.
REVIEWS:
"The most ambitious and comprehensive book on Avid Media Composer I've read. This is much more than an operating manual or how-to -- it's like having a seasoned pro sitting next to you, revealing his trade secrets. If you're a Media Composer editor, rookie or old pro, Avid Agility will make you a better editor, guaranteed."
-- Jonathan Moser, Post Magazine
"The quickest path to becoming a Media Composer Jedi Master. Editor and teacher Steve Cohen has written a clear, comprehensively-illustrated and easy-to-understand guide -- a bible on advanced editing with Avid Media Composer. For anyone who works regularly on an Avid and has a desire to take their skills to the next level, this book is essential reading."
-- Lawrence Jordan, founder, 2-pop.com & HollywoodReinvented.com
"A definitive book about the Media Composer environment. May well be the ultimate book on customizing Avid's unique capabilities for individual creative editing."
-- Ray Zone, Editors Guild Magazine
"An easy read, logically laid out, and useful to novice and experienced editor alike. I highly recommend this book."
-- Frank Capria, Consulting Designer, Media Composer, Avid Technology
"Cohen's book will guide you to the next exciting level of the art of editing."
-- Edgar Burcksen, CinemaEditor Magazine
"An amazing work -- for both new and old Media Composer users. I'd recommend that each and every one of you who are editors order the book."
-- Norman Hollyn, Head of the Editing Track & Professor, USC School of Cinematic Arts
"Steve Cohen has taken his decades of experience editing on Avid and distilled them into a very readable, incredibly illustrated book. Consistently delivers magical little tricks that make you say, 'I wish I'd known that yesterday!'"
-- Steve Hullfish, Avid Master Editor, colorist, author of five books.
"Celebrates new capabilities, teases out jewels in the crown, and boldly goes into advanced features. Avid Agility is a superb gift for any Avid editor, student or pro."
-- Loren Miller, Boston Creative Pro User Group. Editor, Teacher, and Creator of KeyGuide Keyboard Shortcut Pages.
EDITIONS: This second edition offers detailed coverage of Media Composer 5.5. The first edition covers Media Composer 5, and the third covers Media Composer 6.
- Sales Rank: #811720 in Books
- Brand: Brand: CreateSpace Independent Publishing Platform
- Published on: 2011-04-19
- Original language: English
- Dimensions: 10.00" h x .59" w x 8.00" l,
- Binding: Paperback
- 250 pages
- Used Book in Good Condition
Review
"The most ambitious and comprehensive book on Avid Media Composer I've read. Much more than an operating manual or how-to -- like having a seasoned pro sitting next to you, revealing his trade secrets. Avid Agility will make you a better editor, guaranteed."
-- Jonathan Moser, Post Magazine
"The quickest path to becoming a Media Composer Jedi Master. Cohen has written a clear, comprehensively-illustrated and easy-to-understand guide -- a bible on advanced editing with Avid Media Composer. This book is essential reading!"
-- Lawrence Jordan, founder, 2-pop.com & HollywoodReinvented.com
"A definitive book about the Media Composer environment. May well be the ultimate book on customizing Avid's unique capabilities for individual creative editing."
-- Ray Zone, Editors Guild Magazine
"An easy read, logically laid out, and useful to novice and experienced editor alike. I highly recommend this book."
-- Frank Capria, Consulting Designer, Media Composer, Avid Technology
"Steve Cohen has taken his decades of experience editing on Avid and distilled them into a very readable, incredibly illustrated book. Consistently delivers magical little tricks that make you say, 'I wish I'd known that yesterday!'"
-- Steve Hullfish, Avid Master Editor, colorist, author of five books.
About the Author
Steve Cohen has been a pioneer in non-linear post-production, editing one of the first Avid TV movies (HBO's "Teamster Boss") and then going on to edit the first studio feature to use Avid's Film Composer ("Lost in Yonkers") while helping to develop the company's 24-fps software. He remained closely connected with Avid for many years and eventually cofounded the Avid Editors Advisory Committee, a group of prominent editors that advises Avid about software features. He has worked as a teacher throughout his professional life and was the first chairman of the editing department at the American Film Institute, the first school in the U.S. to offer an MFA in editing. He later helped create, and was the publisher of the Editors Guild Magazine. His book, "Avid Agility," now in its third edition, evolved out of his deep involvement with the development of the Avid system.
His credits include, "Before the Rains," "Material Girls," "The Prince and Me," "15 Minutes," "Blood and Wine," "Three Wishes," "Angie," "Rambling Rose" and "No Man's Land," as well as many pilots and TV movies, including several in the Jesse Stone series. He received an Emmy for "LBJ: The Early Years," an American Cinema Editors Eddie Award for "Don King: Only in America," and A.C.E.'s distinguished Robert Wise Award for writing about editing. He blogs at splicenow.com.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Avid Agility review by Jonathan Moser
By flashcutter
I haven't met Steven Cohen, but after reading his book, Avid Agility ($36.88), I feel like I have. Cohen was a pioneer in nonlinear editing, cutting the first studio feature to use Avid (Lost in Yonkers). He's taught at the AFI, was publisher of the Editor's Guild magazine and co-founded the Avid Editor's Advisory Committee. And, now, he's published the most ambitious and comprehensive book on Avid Media Composer I've read. (Avid should include this with every Composer system sold).
This book could have had a number of other titles: "Avid Demystified," "Avid Revealed," or "Flying with Avid." I can promise you one thing... should you get this book, and I highly advise you do if you're a Media Composer editor, rookie or old pro, "Avid Agility" will make you a better editor, guaranteed.
This is much more than a operating manual or how-to -- it's like having a seasoned pro sitting next to you, revealing his trade secrets, explaining and enlightening you, all for the cost of a book.
In 236 jam-packed pages, Cohen has managed to take us on a very personalized trip through an admittedly complex and often baffling tool that has had its share of supporters and detractors. He shows us tips and tricks, shortcuts and gotchas, and reveals secrets that explain in concise and colorful prose and illustrations the versatile ways Media Composer can and should be used. He explains it in a straightforward manner that doesn't talk down or overcomplicate understanding.
Frankly, it's no secret that we editors are often stingy with our secrets and methods... admittedly, it's one of our worst traits, mea culpa. So for Cohen to have opened up decades of know-how and tips and tricks to advance our skill set is fantastic, and it only benefits us to take advantage of the opportunity.
"Avid Agility" is up-to-date with Media Composer 5, and covers just about all new aspects and features. Every page has some new shortcut or feature that you previously may have bypassed or neglected. Editing, speed and keyboard shortcuts can make the difference between you or another editor getting the job or not. With Cohen's vast array of shift, control and command shortcuts, methodology and approach, new levels of speed and versatility can be achieved.
I started learning new things almost immediately about the ins and outs of Media Composer that I didn't know (or ignored) after almost 21 years of cutting on it. The breadth of coverage is huge. From an in-depth look at Media Composer's interface, through the Smart Tool, new approaches of media management, color correction, audio mixing, toolsets and workspaces, to explaining Composer's new complex but powerful advanced keyframing model -- his concise explanations detail not only how to use it, but why it beats the old keyframing model.
Cohen uses detailed graphics to show us highlights in the keyboard or user interface that match precisely what he's explaining in text. Rather than just tell us,"This is how it's done," Cohen shows us why he does things the way he does. Much of his methodology is outside the box -- bypassing Avid's conventional wisdom.
For example, Cohen shows us a much more efficient and precise way to consolidate media in order to copy media over from one system to another that works better than Avid's own consolidate function. He explains things that aren't found in Avid's manuals or online help centers -- problems and solutions that are garnered from years of his own experience. His customization tips alone are worth the price of the book: things that may seem obvious, but that we've never done, like programming the mouse to enable functions that took multiple keystrokes, or that additional functions can be mapped to the keyboard that aren't listed in the manual or command palette.
There's no stone left unturned. It's hard to understand how he got so much into this book. There are literally hundreds of tips to be found in these pages.
In great detail Cohen even covers Media Composer's film tools and methodology, giving newbies a primer in pulldown, how Filmscribe works, examining change, optical and cut lists, giving us potential problems to watch out for.
Cohen's personal philosophy of editing is as much an ingredient of the book as these concise explorations of the editing system. In explaining a wonderful section on how he personally sets up his system (and why), he explains, "The more you can free yourself from thinking about the machine, the more your focus will be on the material you're editing... every time you look down, you slow down."
FINAL THOUGHTS
As I went through the book, I realized the disparity we as editors, have in just how we get educated on the use of our systems. Some of us have the luxury of one-on-one professional editing tutors or classes, others go up through the ranks at facilities or organizations, but so many others are in the boondocks, isolated and far from schools or others who might impart their experience and wisdom. With the cost of the technology now so low and multiplying daily, it's to these isolated and geographically scattered editors that this book might be even more valuable... even though there is so much great info here that even the most experienced pro can benefit.
An unexpected benefit of this book is a new look of Media Composer as the highly developed, complex and innately flexible system it is.
3 of 3 people found the following review helpful.
Great review !
By Joseph V. Polletta
Originally bought the book because it had Avid 5.5 updates.It had that and more. Came across a few shortcuts and tips that I'd forgotten. A quick read for someone who already has knowledge of Avid.
0 of 0 people found the following review helpful.
Excellent for Pros and Newcomers alike
By Kennedy
This is an excellent guide. Mr Cohen has produced an astonishing compendium of what's what with the Avid system. I can't recommend it enough.
How much mileage you get out of it will depend of course on your own knowledge; but writing as someone who has used MC for over ten years and is diligent about exploring computer interfaces thoroughly, I can honestly say that I still found something useful on every page.
Mr Cohen's book is not a comprehensive technical guide in the way that Avid's own manuals are. There are no endless cross-referenced procedural lists; no unfathomable indexes. Instead it feels like a private one-on-one, in which a very organised and experienced editor sits down and says, "Look, did you ever try this?... or this?..." It's really a boon to other editors to have someone like this walk you through the Avid interface in such detail.
Thankfully, the layout of the book is also excellent, which makes it a pleasure to browse through. It is printed on high quality paper, and is well illustrated in full colour, with clear pictures and diagrams spaced nicely so that information is clear and easy to take in. There are no pages stuffed with boxes and variable fonts, which are often a blight on guides about computers and IT.
The content is organised into general themes (timeline/trims/media consolidation, so forth) so if you want to go straight to tips on timeline organisation, as I did, then it's all present in one chapter. Though I found some parts to be more eyeopening than others, everyone's experience and knowledge will be different. In this respect, I would ignore the reviewers on here who have nitpicked it for stating things they already knew. Mr Cohen intends his book for all Avid users, and as such it is accessible to Pros and newcomers alike.
Overall, a fantastic and much-needed book for editors, and a tremendous value.
(***This version of the book covers Avid up to version 5.***)
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