Jumat, 04 Juli 2014

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High-Tech: The Industrial Style and Source Book For the Home, by Joan Kron, Suzanne Slesin

Well illustrated with examples of how to use industrial design in everyday apartments and homes for practical uses.

  • Sales Rank: #723488 in Books
  • Published on: 1984-06-13
  • Released on: 1984-06-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 2.20 pounds
  • Binding: Hardcover
  • 286 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
HIGH TECH. WELL DONE.
By Amazon Customer
Thorough review of this period of furniture, influences/styles, building materials that has never left the decorating book of tricks. Industrial is everywhere we look and can easily be incorporated into our every day lives and dwellings. Comprehensive in it's scope with great sources/resources.

2 of 2 people found the following review helpful.
My second copy
By Florida Shopper
My first copy of this book was packed and in storage, and I wanted to give my designer an idea of the look I wanted in a newly renovated condo. This book illustrates my personal style and was essential in getting my designer on track with an industrial look.

5 of 8 people found the following review helpful.
Please paint your pipes the appropriate colors!
By Charles Burgess
Bought the book at Haslam's in St. Pete in the very early 80s. The ideas here just keep popping up in later books/magazines with different justifications for inclusion. Moral: hey, use all the ideas in this source book - just don't publicly brand them "high-tech."

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Rabu, 02 Juli 2014

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International Money: Postwar Trends and Theories, by Paul De Grauwe

The period since the Second World war has been an eventful and often disturbing one in the international monetary field. Economic theories have been propounded and modified both to explain these events and to influence future choices made by economic actors.

This history of international monetary relations shows both how theoretical development affected private developments, and how the theories themselves have been judged - and often discarded - on the basis of their perceived accordance with actuality. Exchange rate movements in particular are examined in the light of the absence of any generally accepted fundamental model, and the author deploys here his own theory based on the idea of bounded rationality. Finally, he looks ahead to future possibilities for the international monetary system.
New in the Second Edition
Fully revised and updated
Includes an account of the EMS up till the end of 1995
Fuller theoretical coverage of fixed exchange rate systems, including the modelling of speculative attacks
Covers chaos theory and near-rational behaviour
Includes new sections on: speculators and speculative bubbles; target zones and other proposals for international monetary reform; the importance of free capital mobility and proposals to control capital movements.

  • Sales Rank: #3586879 in Books
  • Published on: 1996-11-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.13" h x .62" w x 9.13" l, .94 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Paul De Grauwe is Professor of Economics at the Catholic University of Leuven, the author of The Economics of Monetary Union, and the editor of three previous books in the CESifo Seminar series.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Worth a spot on your bookshelf
By Grad student
Simply outstanding. Paul De Grauwe writes about issues pertaining to exchange rates regimes with great clarity. Chapter 9 about near-rational behavior is particularly interesting, even if the part on chaos theory is too terse. For those more particularly interested in the economics of monetary unions, I also strongly recommend his book "The economics of monetary integration".

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Senin, 23 Juni 2014

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Bass Scales, Chords & Arpeggios is a comprehensive reference book for all bass guitarists. Containing a huge amount of bass guitar information, this book gives you the tools you need to master the fretboard. All scales, chords and arpeggios are presented in diagram form. Scales are also shown in one octave in notation and tab (starting on C). Find new sounds to inspire your playing: use new scales in your bass lines and play chords and arpeggios all over the neck. Designed to be the only bass guitar reference book you'll ever need.

  • Sales Rank: #176745 in Books
  • Published on: 2014-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .10" w x 8.50" l, .27 pounds
  • Binding: Paperback
  • 40 pages

Most helpful customer reviews

4 of 5 people found the following review helpful.
Get this book!!!!
By Tim
This book is awesome. It has detailed charts and explenations of most every scale you would need as well as all the major/minor and power chords. This book has exploded my playing, and I'm now gaining a better understanding of playing bass lines off the cuff in various keys. I would recomend this book for the beginner or the old pro. Add this to your library and keep on rockin'!!

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Easy read, great tool
By Sam G, PTA
This book is short and sweet and explains very simply how to play in all modes and scales. If you are beginner, intermediate or beyond, this will help you develop bass chords as well as how to play in scales that will make you sound like the best bass player on the block.

1 of 1 people found the following review helpful.
If you want to learn Bass this is the book for you
By jeffey walton
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  • Sales Rank: #1434535 in Books
  • Published on: 2011-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x .79" w x 6.50" l, 1.60 pounds
  • Binding: Paperback
  • 336 pages

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Ecce Homo: How One Becomes What One Is; Revised Edition (Penguin Classics), by Friedrich Nietzsche

Ecce Homo: How One Becomes What One Is; Revised Edition (Penguin Classics), by Friedrich Nietzsche



Ecce Homo: How One Becomes What One Is; Revised Edition (Penguin Classics), by Friedrich Nietzsche

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Ecce Homo: How One Becomes What One Is; Revised Edition (Penguin Classics), by Friedrich Nietzsche

In late 1888, only weeks before his final collapse into madness, Nietzsche (1844-1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and then overcome - Schopenhauer, Wagner, Socrates, Christ - and predicts the cataclysmic impact of his 'forthcoming revelation of all values'. Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo gives the final, definitive expression to Nietzsche's main beliefs and is in every way his last testament.

  • Sales Rank: #323602 in Books
  • Published on: 1992-12-01
  • Released on: 1992-12-01
  • Original language: German
  • Number of items: 1
  • Dimensions: 7.80" h x .40" w x 5.10" l, .24 pounds
  • Binding: Paperback
  • 144 pages

Review
Libro desconcertante y enigmatico, escrito en circunstancias dramaticas --Los editores

Language Notes
Text: English, German (translation)

About the Author
Frederich Nietzsche (1844-1900) became the chair of classical philology at Basel University at the age of 24 until his bad health forced him to retire in 1879. He divorced himself from society until his final collapse in 1899 when he became insane. He died in 1900. R.J. Hollingdale translated 11 of Nietzsche's books and published 2 books about him.

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20 of 23 people found the following review helpful.
Portrait Of An Ubermensch
By A Customer
In Ecce Homo, Nietzsche, clocked in the overt convention of the critical autobiography, lashes out at the practice of divorcing art from action. He takes aim at the reification of the linguistic world, which he believes has grown at the expense of the pre-linguistic world and his quarrel is with those who use words to mediate their experiences in the world in order to deny their own heroic capabilities.
"Saying 'Yes' to life," says Nietzsche, "is its strangest and hardest problem; the will to life rejoicing over its inexhaustibility even in the sacrifice of its highest types--that is what I call Dionysian, that is what I understood as the bridge to the psychology of the tragic poet." This Dionysian status, he goes on to say, is not gained through "thumbing through books," but by suffering through experience and rejoicing in the vitality of living.
Nietzsche also writes, "In questions of decadence I am experienced." In this he intimates his own experience of life denial through words and his imagery compares intellectual endeavors with physical conditions, e.g. digestion.
"The German spirit," he says, "is an indigestion: it does not finish with anything." Nietzsche uses the human stomach as a metaphor of the reification of the linguistic world. The stomach digests food by breaking it down into its component parts, readily recognizable to physiology but having little to do with the original product.
An orange, after all is not just vitamin C. Furthermore, says Nietzsche, what the body cannot use is rejected as waste product. When disorders of the stomach occur, the body cannot distinguish between waste and nutrient and consequently it churns endlessly, causing distress to the entire organism. Nietzsche, himself, is not embarrassed by his experience of decadence but sees it as something which has given him a special sensitivity to the "signs of ascent and decline."
For Nietzsche, the world is a chaotic place, given order only by the imposition of human will. Humans, in this way, says Nietzsche, create something out of nothing. However, in the face of the "abyss," man creates and acts as if his creation is real, in such a manner as to allow himself the vital and joyous activity of affirming the very importance of his creation. The heroic figure then moves on towards greater acts of creation using each personal, willful creation as a stepping stone, not towards an ultimate goal, but towards other projects. Nietzsche tells us to beware of the organizing "idea" which "...leads back from side roads and wrong roads...as a means towards a whole." The endless road of "becoming" is traveled by a will which is excited and invigorated by its trip, enjoying its stops along the way, but which ultimately has no other purpose but to go further and further as the journey becomes more and more exhausting.
For Nietzsche, the battle is always emphasized over the goal. It is a simple matter, he tells us, to conquer that which is already beneath you. To move beyond that which is your equal is the real test of the will. This is the essential process of "overcoming" which leads one higher and higher, eventually reaching the experience of the "tragic." As the linguistic world becomes more and more complex, its position in relation to nothingness becomes more and more precarious. This situation threatens a fall of apocalyptic proportions, for it is necessary for the tragic aesthetic that there be a certain height to the descent. For Nietzsche, rejoicing in the sacrifice of the highest types is a key element in experiencing tragedy.
"...and whoever wants to be a creator in good and evil, must first be an annihilator and break values." Creation, according to Nietzsche presupposes the willingness to destroy. The order we impose upon the world is a constraint upon us when the time to overcome occurs, and at such times, the spirit of the Ubermensch is needed in order to decimate the linguistic constructs that we have come to depend upon. For original, creative activity to be allowed, there must be nothing available to plagiarize or react against. Nietzsche refers to this resignation in the face of the void as "Russian fatalism" which occurs when the individual no longer attempts to "...accept anything at all--to cease reacting altogether."
In the end, for Nietzsche, nobility of spirit is akin to a meniscus, relying on the tension created by contrasting nothingness with creation. It can tolerate very little unequal pressure; too much and it ruptures. And aesthetically pleasing life is to be sought in that in between area inaccessible to words or to action alone. Ironically, Nietzsche's severe philosophy seems to advocate a kind of moderation. For the truly heroic figure is valued for his ability to live a life in which he moderates the need for order with the desire for creative action. Standing between empowerment and dissolution, as he must, the hero, says Nietzsche, is as deserving of "songs of praise" as is any god.

8 of 8 people found the following review helpful.
Wonderful Self-Portrait
By Steiner
Nietzsche's literary addendum to his philosophical oeuvre is, at its root, a radically modern autobiography. Written weeks before his collapse into paralysis, these are the final reflections of cogency from this great thinker; the sections are indeed self-inflated and passionate, with titles like `Why I am So Wise,' and `Why I am So Clever,' etc. However, Nietzsche is finally dubious about his reputation and whether or not he will ever be truly understood. He insists that his name "will be associated with the memory of something tremendous," and indeed it would. His work sought to expose the power structures of old societies and to expose the moral systems of Christianity. Nietzsche's tone is eerily prophetic as he insists that "there will be wars the like of which no one has ever seen," his stylish prose rings of a bold yet hysterical urgency. However, at the foundation of Nietzsche's thought is one of the great and subtle tensions in philosophy, the idea that his negating and destroying are "conditions of saying Yes." This is the difficulty of Nietzsche, who is all too easily categorized as the "Will to Power" philosopher of the modern period. We are still catching up to his profound insight, and this self-analysis should be a window into his genius and original intentions.

13 of 15 people found the following review helpful.
If only all autobigraphies were like this...
By Hethur Suval
"Ecce Homo, on eof the supreme masterpieces of German prose, is perhaps the strangest 'autobiography' ever written"
"In late 1888, only four weeks before his final collapse into madness, Nietzsche (1844-1900) set out to trace his development as a tragic philosopher. He examines the heroes he has identified with, struggled against, and then overcome - Schopenhauer, Wagner, Christ - he predicts the cataclysmic impact of his forthcoming revaluation of all values, and he gives final, definitive expression to his main beliefs. Throughout he employs the range of exuberant but unsettling styles descibed in Michael Tanner's Introduction, 'the high spirits, the manic self-celebrations, the parodistic orgies', which blend with a far more elegiac voice in a way 'that is uniquely moving, especially when one knows that total and permanent breakdown was imminent.'"
Isn't this what we are looking for when we go to read an autbiography? Isn't this the spirit that those who choose to write their autobiographies are interested in? Nietzsche was definitley ahead of his time in this genre of prose...take a look at Martha Stewart and Oprah....

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Minggu, 15 Juni 2014

[T816.Ebook] Download Ebook The Long Shadow of Chernobyl (English, German and French Edition), by Gerd Ludwig

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The Long Shadow of Chernobyl (English, German and French Edition), by Gerd Ludwig

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The Long Shadow of Chernobyl (English, German and French Edition), by Gerd Ludwig

Opening with an essay by Mikhail Gorbachev, the last head of state of the Soviet Union, awarded the Nobel Peace Prize in 1990, this is a deeply personal journey into a landscape forever changed.

National Geographic photographer Gerd Ludwig, made nine visits to Chernobyl over a period of 20 years; this is his powerful record of an environmental and human tragedy. Through the perspective of the victims living with the emotional and physical aftermath, to the Exclusion Zone created by a massive evacuation (more than 350,000 people by the year 2000), to the abandoned neighboring city of Pripyat, once a scientist's dream in terms of quality of life yet now uninhabitable, it is a record of almost unbelievable suffering and desolation.

Working under enormous time and radiation pressure, Ludwig ventures deeper into the belly of the beast than any other photographer, repeatedly documenting the destroyed reactor No.4, which will disappear under a New Safe Confinement for at least 100 years.

This book does not always make for easy viewing. It is however, an emotive, thought-provoking and necessary testament to one of the twentieth century's worst nuclear disasters. Using documents that until recently have been classified, from the CIA, U.S Government Foreign Press Monitoring, Department of Energy, Department of Defense, GAO and United States Congress of the disaster, it becomes an even more important voice in the continuing political, environmental and economic arguments around the safety of using nuclear energy, particularly in light of the Fukushima disaster in Japan twenty-five years later.

  • Sales Rank: #429224 in Books
  • Published on: 2014-06-15
  • Original language: English, French, German
  • Number of items: 1
  • Dimensions: 12.87" h x 1.52" w x 12.01" l, .0 pounds
  • Binding: Hardcover
  • 252 pages

Review
There are no words for the devastation caused by Chernobyl. Thank God we still have dedicated photojournalists to say it for us with their pictures. It takes the courage of a Gerd Ludwig who continually puts himself in harms way to keep the truth alive. (Annie Stein Huffington Post, April 2, 2014)

Gerd Ludwig documents the worst nuclear disaster in history with sobering but stunning images. (John Vidal The Guardian, July 4th, 2014)

Ludwig's book stands out as a case study in the challenges of photo book publishing. (David Walker Photo District News, February 18th, 2015)

About the Author
Gerd Ludwig is a zoologist and editor of the German magazine, "Animal. "

Mikhail Gorbachev is a former Soviet statesman. He was the final leader of the Soviet Union, having served as General Secretary of the Communist Party of the Soviet Union from 1985 until 1991, and as the country's head of state from 1988 until its dissolution in 1991. Gorbachev's policies of openness and restructuring as well as summit conferences with President Ronald Reagan contributed to the end of the Cold War. He was awarded the Nobel Peace Prize in 1990.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Finally, a thorough photographic document of Chernobyl
By aphotocollector
As a passionate photo book collector and history junkie, I find this book to be one of the most impressive of my countless purchases in recent memory. I own several other photo books on Chernobyl, and know many photographers have covered this subject, but none match the shear scope and quality of Gerd Ludwig's 20 year retrospective masterpiece.

Mr. Ludwig's powerful photographs of the devastating consequences of the meltdown are as informative as they are artful, and as heart wrenching, as they are jaw-dropping. While the images of the ghost town and the exclusion zone are haunting, the images of the victims and elderly residents in the zone show the human side of the tragedy with such honesty and empathy. His photos from deep inside the reactor are like no other - especially the image of the frozen clock inside the reactor - what a shot! I get the feeling that he lives and breathes this subject, and has taken a lot of risks, both emotionally and physically over the last 20 years.

The printing and layout of the book are equally impressive. First off, hold it with two hands - the book is large, thick, and wow is it heavy! At 250 pages, with a hard cover, and a sturdy slipcase, this is a true art object. The paper is a fine satin finish, and the beautifully printed color images really pop off the page. As soon as I picked up the book, I could tell that this is a quality European style photo book - not some cheap flimsy thing printed in China without any input by the author.

There is also a lot of research and information in the book. The essay by Mikhail Gorbachev brought the entire disaster into a new light for me, as I had never considered the political consequences. The introduction by Gerd helps to explain the nuances of the story and give you a feeling for what it was like for him to shoot in the zone, plus the detailed captions give further context to each photograph. Bravo for giving the readers intelligent background information!

Also of note, is the cover of the book itself. Inside the slipcase, with his famous photograph of the workers wearing gas masks inside the reactor, is a very simple cover, showing the Soviet's press announcement of the disaster as it was happening. It is a chilling warning to the images that come. The following quotes from the book, Voices From Chernobyl, add to this feeling as well. That book by the way, is also a must-read (I had tears reading many of the first hand accounts of the disaster).

Altogether, I'm thoroughly honored to have this book in my collection. I'm glad I took the extra time to track Mr. Ludwig down and buy a signed copy too, totally worth the few extra bucks and it certainly adds value to me. I can't wait to catch an exhibition of this work someday!

6 of 6 people found the following review helpful.
The book itself is well made and the attention to color and detail is beautiful. The binding is strong
By devlin gandy
I've been following Gerd's work for a long time and am truly impressed with this, his latest book. From the introduction essay by Gorbachev to his most recent work at Chernobyl, stunning photos lead you through a roller coaster of history and emotion that continues on to today.

The book itself is well made and the attention to color and detail is beautiful. The binding is strong, with heavy paper stock, its a solid book.

Overall, it's one of those truly rare and stunning books that captures not just a moment or a singular story, but a collective history we can't bear to forget.

5 of 5 people found the following review helpful.
THESE PHOTOGRAPHS SIMPLY MUST BE WITNESSED
By Kenneth E. MacWilliams
The photographs in this book simply must be witnessed. They strike you just as a powerful blow to your gut might, or a stunning blow to your brain. They will empty your lungs and figuratively split your scull. When Oppenheimer witnessed the first nuclear explosion he remarked that it brought to mind the words from the Bhagavad Gita "Now I am become Death, the destroyer of worlds." These photographs lift the mask on that dark side in a way never before seen. And even at that, as Mikhail Gorbachev writes in the introduction, "One could now imagine much more clearly what might happen if a nuclear bomb exploded. According to scientific experts, one SS-18 rocket could contain a hundred Chernobyls."

Kenneth E. MacWilliams
Portland, Maine

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Kamis, 12 Juni 2014

[T700.Ebook] Free Ebook Designing Audio Effect Plug-Ins in C++: With Digital Audio Signal Processing Theory, by Will Pirkle

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Designing Audio Effect Plug-Ins in C++: With Digital Audio Signal Processing Theory, by Will Pirkle

Not just another theory-heavy digital signal processing book, nor another dull build-a-generic-database programming book, Designing Audio Effect Plug-Ins in C++ gives you everything you everything you need to know to do just that, including fully worked, downloadable code for dozens of professional audio effect plug-ins and practically presented algorithms. With this book, you get access to a companion website where you can download the accompanying Rapid Plug-In Development software to compile and test the book examples, all the code examples, and view student plug-ins and tutorial videos on the development software. Start with an intuitive and practical introduction to the digital signal processing (DSP) theory behind audio plug-ins, and quickly move on to plug-in implementation, gain knowledge of algorithms on filtering, delay, reverb, modulated effects, dynamics processing, and more. You will then be ready to design and implement your own unique plug-ins on any platform and within most any host program.

Readers are expected to have some knowledge of C++, and high school math.

  • Sales Rank: #194831 in Books
  • Brand: Pirkle, Will
  • Published on: 2012-10-10
  • Released on: 2012-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.27" w x 7.50" l, 2.07 pounds
  • Binding: Paperback
  • 560 pages
Features
  • Used Book in Good Condition

Review

This is one of the most important and exciting audio books I’ve seen in a long, long time. It tackles the hottest topic in the industry today―authoring plug-ins. Audio design has transitioned from a hardware world to a software one, and this book places you at the forefront of the revolution. It gives you all the tools you’ll need, from signal-processing theory to completed code, to fully understand and write C++ audio plug-ins. When you finish this book, you’ll be playing music through your own real-time plug-ins, and you will have acquired perhaps the most valuable skill set sought by today’s audio engineers.  ―Ken C. Pohlmann, Professor Emeritus, University of Miami

Finally, the keys to the digital kingdom are made available to all recording engineers. Learn how plug-ins work, gaining a deep understanding of their rich capabilities, tempered by an informed intuition about their sonic limitations. You’ll be a better user, and―should you be so inclined―you’ll build a better processor. That’s right. Designing Audio Effect Plug-Ins in C++ gives you the theory, the skills, the software tools, and the hands-on examples you need to build your own delays, reverbs, compressors, and more. Perfect audio effects―if you can’t buy ‘em, build ‘em.  ―Alex U. Case, author, Sound FX and Mix Smart (Focal Press)

This is a very practical introduction to digital audio signal processing that makes writing DSP plugins in C++ easy. The author brings a career of knowledge and experience to one easily understood and very un-stuffy book that takes the mystery out of a complex set of topics. Highly recommended.  ―Joe Bryan, audio guru and inventor of UAD-1 powered plug-ins

From the Back Cover

Not just another theory-heavy digital signal processing book, nor another dull build-a-generic-database programming book, Designing Audio Effect Plug-Ins in C++ gives you everything you need to know to do just that, including fully worked, downloadable code for dozens of professional audio effect plug-ins and practically presented algorithms. From the companion website (www.willpirkle.com), you can download the accompanying RackAFX(TM) plug-in development software to compile and test the book examples, all the code examples, and view student plug-ins and tutorial videos.

Start with an intuitive and practical introduction to the digital signal processing (DSP) theory behind audio plug-ins and quickly move on to plug-in implementation, gaining knowledge of algorithms on filtering, delay, reverb, modulated effects, dynamics processing, and more. You'll then be ready to design and implement your own unique plug-ins.

With this book, you'll:

  • Learn to build audio effect plug-ins in a widely used, implementable programming language-C++
  • Get fully worked-out code for all the examples used and free development software for download from the companion website
  • See these tools in action with video tutorials for the software and examples of student plug-ins complete with theory and code

Level: Readers are expected to have some knowledge of C++ and math at a high school level.

Will Pirkle is an assistant professor of music engineering technology at the University of Miami Frost School of Music. In addition to his nine years of teaching, Mr. Pirkle has twenty years of experience in the audio industry, during which he's worked and consulted for Korg Research and Development, SiriusXM Radio, Diamond Multimedia, Gibson Musical Instruments, National Semiconductor Corporation, and others. A studio owner and avid guitarist, Mr. Pirkle continues to seek projects that combine all his skills.

About the Author
Will Pirkle is an Assistant Professor of Music Engineering Technology at the University of Miami Frost School of Music, where he teaches C++ audio programming, signal processing, audio synthesis, recording studio workshops, and mobile app programming. In addition to his nine years of teaching, Mr. Pirkle has twenty years of experience in the audio industry, during which he worked and consulted for companies including Korg Research and Development, SiriusXM Radio, Diamond Multimedia, Gibson Musical Instruments, and National Semiconductor Corporation. An avid guitarist and studio owner, Mr. Pirkle continues to seek projects that combine all his skills.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Outstanding Hand Holding Through The Rocky Start
By Brandon Scott Drury
I decided in November that I was going to begin making my own plugins....hopefully for eventual profit. Starting out turned out to be a VERY rocky road. In fact, there was no road. A lot of guys who know how to do it will help you, but you've got to get your own ducks in a row and make your own path before you can finally write that one equation that actually processes the audio. I found myself reading college thesis papers and stuff that weren't designed to teach to get the info in between the lines.

I picked up this book the second I saw it. I couldn't be happier. The author's RackAFX software and approach to teaching gets you making plugins almost immediately. RackAFX automates a lot of the busy work so you can focus on the fun stuff. More importantly, it reduces the learning curve so you only have 20,000 things to learn instead of 50,000 things.

There is a lot of DSP discussion and that stuff ain't for the meek. After one read through the book I learned SOME. Halfway through the book a second time and I'm learning much more. I think the author teaches it about as well as any one author can teach it, but I imagine it'll take 10 different books before I get "good" at it.

I'd imagine the DSP holds up for everyone from beginners to seasoned pros. Time will tell if RackAFX is the way to go for full-blown premium plugins, but at the moment I have soooo much to learn it's the least of my worries. I'm just thrilled something like this exists to prop me up during the learning phase.

I couldn't recommend it higher!

7 of 8 people found the following review helpful.
Great resource for audio engineers to learn DSP & C++
By Brad Swanson
I would generally wait until I've finished a book cover-to-cover before writing a review, but after digging into the first six chapters, I realized it's going to take me a while to get through this whole book, but for the very best reasons. I'm coming to this subject as a complete novice; with very little experience in C++, and only rudimentary knowledge of DSP, but I have found the text completely accessible, and Pirkle's simple overview of Basic DSP was worth the price of the book on it's own! The depth and breadth of the programming concepts is going to take me a while to work through, but I'm excited to do it and this is the first resource on C++ or DSP that I've found that really gives me hope that I (an audio engineer with little programming background) can learn these concepts and get to a point where I'm being creative with them; putting my own ideas into code and action.

2 of 2 people found the following review helpful.
Great book so far!
By Joe Farrish
Great book that will help fill in some holes for many who are Studying DSP theory. In addition will introduce you to the RackAFX system that is used in conjunction with Microsoft Visual C++ 2008-2010. You may use RackAFX with other C++ compilers other than MSVBC++. You use RackAFX to help design the GUI while C++ is used to write the DSP code portion. RackAFX will automatically update the Code as you add Sliders, Knobs and buttons. There are many of examples from Delay, Filters, etc. The book has a great intro to the DSP math and will help fill the holes and clouds that many users may have as they delve into the Audio DSP. I'm still readying the book but so far it's been a great read into chapter 5. I recommend this to anyone who looks at many of the formulas seen in many DSP algorithms as this will help you understand them better.

See all 16 customer reviews...

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