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The Beat Hotel is a delightful chronicle of a remarkable moment in American literary history. From the Howl obscenity trial to the invention of the cut-up technique, Barry Miles's extraordinary narrative chronicles the feast of ideas that was Paris, where the Beats took awestruck audiences with Duchamp and Celine, and where some of their most important work came to fruition--Ginsberg's "Kaddish" and "To Aunt Rose"; Corso's The Happy Birthday of Death; and Burroughs's Naked Lunch. Based on firsthand accounts from diaries, letters, and many original interviews, The Beat Hotel is an intimate look at an era of spirit, dreams, and genius.
- Sales Rank: #1413047 in Books
- Published on: 2001-07-10
- Original language: English
- Number of items: 1
- Dimensions: 9.03" h x .82" w x 5.96" l, .94 pounds
- Binding: Paperback
- 304 pages
From Publishers Weekly
Miles (Jack Kerouac: King of the Beats, etc.), who has been intimately involved in the documentation of the Beat scene, focuses here on an international aspect of Beat work: Allen Ginsberg, William Burroughs and Gregory Corso's escape from "the conformism and Puritanism of fifties America" during the six years (1957-1963) they lived at a cheap hotel on Paris's Left Bank. During this period, the three pursued such now-famous creative endeavors as "Kaddish," Naked Lunch and "Bomb." Their important work during this time, particularly the "cut-up" method pioneered by Burroughs, had an important formative influence on the next generation of artists, according to Miles. Part scholarly study and part gossip-fest, this account traces the aesthetic, sexual and social goings-on in Paris: "Within the shelter of the Beat Hotel," Miles writes, "they had mapped out many of the paths that the 'sixties generation' was to actually follow: the recreational use of drugs and experiments with psychedelics..., investigations into magic and mysticism..., gay rights and sexual freedom , the legalization of 'pornography' and challenges to obscenity laws." The hotel on rue Git-le-Coeur, closed for nearly four decades now, still symbolizes the fruitful ground of collaborative creation among the Beats. The significance of this period in Paris for the Beats may be slightly exaggerated by Miles to justify this book-length study, but those interested in the lives of these cult figures will most likely forgive such overdetermination in the interests of learning in an entertaining narrative about important writers now considered American literary heroes. (July)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
The cheap rooming house at nine rue Git-Le-Coeur became known as the Beat Hotel after several Beat writers made it their home in Paris. In this interesting blend of sexual gossip and literary scholarship, Miles, author of full-length biographies of Allen Ginsberg, William Burroughs, and Jack Kerouac, paints a vivid picture of literary life along the Left Bank in the late 1950s and early 1960s. He recounts not only the Beat writers' creative interactions with one other but their relations with such Frenchmen as Maurice Girodias, publisher of the Olympia Press, and Henri Michaux, an author who shared their fascination with the use of drugs to heighten consciousness. Miles also documents the influences of a number of European writers on the Beats, including Andr Breton, Louis-Ferdinand C line, and Sergei Esenin. Finally, he is particularly good at exploring the collaboration between Brion Gysin and Burroughs that led to their famous cut-up method. This is fun reading, especially for those steeped in the Beats. Recommended for academic and larger public libraries.
-DWilliam Gargan, Brooklyn Coll. Lib., NY
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A long letter from an honest "fan", Barry Miles.
By S. Curtis
At first I thought that this book would be just that...a love letter, and along one, from an affected fan, considering how much of an insider Barry Miles was with the beats. it is all that, to some degree, but it is also an extensive and accurate review of the time surrounding a very important and often overlooked period of international social development that cannot be left out of the cannon of history for its significance in who we are today socially, morally, philosophically, and even religiously. While many would regard these beat figures with a distrusting eye, for many good reasons, this text is also insightful into the "why" the times developed the way they were. The disaffected generation had it's roots, and most of them...in Paris...where here. After all, experimentation requires a Petri dish to see how something grows outside of its normal environment. The kinds of experimentation that took place in the late 50s and early 60s could not have been staged in America.
I don't like this book for the same reason that the author likes it himself. I simply like it because it is well-written and detailed....and...well, honest.
0 of 0 people found the following review helpful.
Five Stars
By Andrew Atkin
In good condition,very happy.
4 of 4 people found the following review helpful.
One-star hotel -- five-star book!
By Patrick W. Crabtree
The goings on in this decrepit old Paris Hotel, run by an old French lady who cooked Cassoulets for the guests, were astounding. A gathering point for starving artists, especially planetary beatniks, we discover that the unbridled use of hard drugs and graphic homosexuality were a lot more common than Eisenhower would have let us in America think! *.*
This book is a hoot but I want to say up front that it was seriously well-researched by the author. It's predominantly about some well-known, perhaps infamous, American Beats, most of whom (in this hotel anyway) were bisexual drug users. There were also other 'artists' from various places in the world who either lived in The Beat Hotel (the hotel really didn't even have an official name), or they 'visited' as guests of residents for varying lengths of time.
The peccadillos of these characters defy sanity. There's scrying, crying, heroin use, singing, pornography generation, speculating on psychedelic inventions, poetry readings, and tons of all manner of sex.
William Burroughs seems to be the main guy in this life adventure -- we hear of the untimely death of his wife (at another location) as Burroughs was smashed, playing "William Tell" with her for the entertainment of the equally drunken and high guests, ultimately putting a bullet in her forehead. He was never arrested for this incident.
The chief guy whom we expect to find lodged firmly in The Beat Hotel never made it: Jack Kerouac. But pretty much every one of his dubious associates made at least a visit.
This book is well-written -- a real page-turner and quite hilarious. It matters not if the reader is gay, straight, or anywhere in-between sexually... you'll much enjoy this book. And, if ever there was a clear example of 'truth being stranger than fiction', this one is it.
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